The Virgin
wears that white dress
he asked her to.
She is innocence. She is
the ingenue. She is...
ignorant. She does not
know of men or wine
or heartbreak. She walks
into the ballroom with a
look of awe, like a child,
or perhaps even like a butterfly
fresh out of its cocoon,
before its wings get plucked
by little boys. She is
unaware that she is surrounded
by prostitutes and princesses,
dandies and gamblers,
heroes and thieves, and
men and women (of the higher social class)
who only cock an eyebrow.
But they are all the same tonight,
because tonight is different;
Of course, you cannot tell the difference.
They are all wearing masks,
silver and gold,
black and white,
shimmering and dull,
feathered or not;
The ceiling is an upside down bowl
above their heads, a giant mirror-like mosaic
upon which hangs
the chandelier. Just for a moment,
she thinks she sees faces in the glass,
but it is a world of illusions,
and she dismisses it.
It is the world
of the seven deadly sins
(though she is unaware of it at the time),
and on the dais
sit seven deadly kings and queens.
They are decked in
gold and jewels,
satin and velvet,
rubies and sapphires,
and fur and silk;
And they smile.
One of them is a woman,
more beautiful than any other,
and she laughs a dainty
but provoking laugh
between lips of blood red.
The woman winks at her.
She is Desire,
or perhaps, Lust.
She is not quite sure anymore,
for it is hard to see in a mask like hers:
Venetian, fashioned like a cat's,
and crafted from dust and dreams.
The man now sees his chance.
He is her opposite. He is
a charmer. He is
the fox, sly, wrapped in words and
dressed in poetry,
one to flatter her
beyond all reason. He catches
every butterfly
before it flutters away.
He bows low, and she takes his hand,
And he tells her how beautiful she looks,
And I cannot stand the sight of it --
Quick! Tell her that she should turn around,
not wave,
not leave a glass slipper,
not remember;
Tell her to go back,
before she falls from grace,
for sins are disguised as desires,
and lust is disguised as love,
and I watch from inside the one-way mirror
of a ceiling through the glass,
pounding my fists,
Crying my heart out
(No one can see or hear me),
And I think that the eyes under the masks
are looking on in anticipation -
and I cry some more
because here, a fragmented
piece of broken glass,
one of a million others that make up the ceiling
of the grand masquerade,
I cannot change what has become of my past...
And with that, what has become of me.





